I quite enjoyed this; peak Wes Anderson, perfectly broken symmetry and framing, perfectly (and star-studded cast) - a few notable examples, Bill Murray as God, Benedict Cumberbatch as Uncle Korda, Willem Dafoe as the Knave, and of course Benicio del Toro as Zsa Zsa to name but a few.
And, pausing it because I wanted to closer examine the backdrops, there are abundant symbols that pass by too quickly to be read on the first viewing, but some of the more obvious examples I noted were the miniature skull (Memento Mori) in relation to Zsa Zsa - first on the left, then the right, then the left again, symbolizing his relationship with death or his own mortality (miniature, in that he seems to weather and defeat all adversity), the diminished statues of Modesty or Venus behind Sister Liesl; the Kitschy painting of the mating Centaurs behind Zsa Zsa as he admonishes the children on Masterpieces; the Gap in the Tunnel, all visual jokes that contribute as much to the humour as do the dialogue and actors.
That said, it seems that other than a certain touch of Whimsy, a certain mood and definite style, quirky characters - well, for all the work that's put in to one of his films it would be nice to see a slightly deeper, or more illuminating plot.
Then again, perhaps that's his charm?